na(ar) het theater – after theatre?

na(ar) het theater – after theatre?

172 Pages · 2013 · 6.71 MB · English

AFTER. THEATRE? A(AR). HET. HEATER. AFTER. HEATRE ? edited by Marijke Hoogenboom and Alexander Karschnia. EDITED BY MARIJKE .. the word around, so you could create some kind of repertoire with these artists in order to articulate the enquiries that drive contemporary performance.

na(ar) het theater – after theatre? free download

The term postdramati\f has become a key reference point in inter national discussions of contemporary theatre It covers a wide range of aesthetic approaches and it is frequently used as an umbrella notion for a wealth of new theatrical possibilities It has brought about a groundbreaking shift in theatre?s dominant paradigm ? away from the limitations of exclusively dramatic representation However, \ba(ar) het theater ? after theatr e?\bupplements to the International Conferen\fe on Postdramati\f Theatre , is not concerned with giving postdramatic explo rations their longoverdue cultural and intellectual legitimacy Rather, this book aims to move on and to engage in the fragile relationship between the past and the present Presented here is a collection of essays and other testimonies of theatrical positions, originating within and beyond the postdramatic ?eld, that seeks to identify the state of theatremaking today It asks what it is that keeps us returning to the theatres Where are contemporary theatre makers headin g?Exit drama Where and how do we reenter ? Have we come to terms with the postdramatic perspective s?Probably not Not yet \but we are joyfully moving beyond, back to and towards theatre And we remain curious about what will happen next ? what we will makehappen nex t! \ba(ar) het theater ? after theatr e?\bupplements to the International Conferen\fe on Postdramati\f Theatre is published as a response to the exchange between practitioners, dramaturges, producers and theoreticians that took place in Amsterdam in 2006 It is edited by Marijke Hoogenboom and Alexander \farschnia The book contains contributions from both editors, Marianne Van \ferkhoven, Hans Thies Lehmann and \fathrin Tiedemann, statements from ten performing artists, and a nonhierarchical representation of the conference \bA ( AR ) HET THE ATER ? AF TER THEATRE ? N\b(\bR) H\fT TH\f\bT\fR — \bFT\fR TH\f\bTR\f ? SUPPL\fM\fNTS TO TH\f INT\fRN\bTION\bL CONF\fR\fNC\f ON POSTDR\bM\bTIC TH\f\bTR\f edited by Marijke Hoogenboom and Alexander Kars\fhnia \fDIT\fD BY M\bRIJK\f HOOG\fNBOOM \bND \bL\fX\bND\fR K\bRSCHNI\b \bBOUT TH\f BOOK H\bNSTHI\fS L\fHM\bNN FROM ‘TH\f\bTR\f \bFT\fR TH\f\bTR\f’ In art, no experimentation is possible without risks, and we should welcome even the failures as long as we sense an honest attempt to ?nd a way beyond established forms that lack the power of conviction No general judgement is possible Everything depends on the quality, the scope, the depth and the honesty of the individual practice The space in which these explorations take place must be defended by society post after theatre\: cover 2_post afte\:r theatre cover 2 \: 220413 0\f:34 P\:agina 1 The term postdramati\f has become a key reference point in inter national discussions of contemporary theatre It covers a wide range of aesthetic approaches and it is frequently used as an umbrella notion for a wealth of new theatrical possibilities It has brought about a groundbreaking shift in theatre?s dominant paradigm ? away from the limitations of exclusively dramatic representation However, \ba(ar) het theater ? after theatr e?\bupplements to the International Conferen\fe on Postdramati\f Theatre , is not concerned with giving postdramatic explo rations their longoverdue cultural and intellectual legitimacy Rather, this book aims to move on and to engage in the fragile relationship between the past and the present Presented here is a collection of essays and other testimonies of theatrical positions, originating within and beyond the postdramatic ?eld, that seeks to identify the state of theatremaking today It asks what it is that keeps us returning to the theatres Where are contemporary theatre makers headin g?Exit drama Where and how do we reenter ? Have we come to terms with the postdramatic perspective s?Probably not Not yet \but we are joyfully moving beyond, back to and towards theatre And we remain curious about what will happen next ? what we will makehappen nex t! \ba(ar) het theater ? after theatr e?\bupplements to the International Conferen\fe on Postdramati\f Theatre is published as a response to the exchange

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